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Perceptive Travel Book Reviews In this issue: The Palace of the Snow Queen: Winter Travels in Lapland, Slow Journey South: Walking to Africa––a year in footsteps, and Traveler's Tool Kit: Mexico and Central America. The Palace of the Snow Queen: Although I remained just as impressed by the architecture and the artists… the narrowness of the tourist experience there left me yearning for more. The Icehotel was, for most visitors, a trip of only a few days, if that. The experience was constructed for them. They arrived by plane, were transported by van, taxi, or dogsled to the hotel, had a wonderful meal in the inn across the street, a few drinks in the bar. They could visit the gift shop and load up on tasteful souvenirs, sit in reception and write postcards, wander around the site. Now they could see a concert or play in the Ice Globe, and if they had a room in the newly constructed hotel annex, they could watch TV. If they stayed a day are two longer, they could go skiing or snowmobiling or dog–sledding, or spend some time in the Sami tent down the road. All of this cost money, a lot of money, and all that was for tourists, not locals.Traveling well off the usual tourist paths, Sjoholm warms up what could be dry material by means of close, personal involvement. With sensitivity and insight, she describes a place that is relatively un–trafficked and an environment not yet ruined, and she particularly examines the role and value of tourists––those necessary, paying visitors to a "pristine" area that is fast growing a lot less pristine. "Lapland …was only a 'wilderness' in the parallel reality of promotional language." With benefit of Sjoholm's literary research and wide personal exploration, this picture of modern Lapland gives a complex, rich view of an area few travelers can claim to know well. Sjoholm may have gone to Lapland to heal herself, but ends up giving back her heart to Lapland and its people. Slow Journey South: In typical response to my impatience, the walking suddenly becomes quite tough, with rugged hills and hot, dry days, and we rough–camp in isolation for nights on end as we cut inland across the top of the Algarve.Most fascinating are the actual physical details: the equipment, the blisters, the dinners, the kind of tent stakes used and why some worked better than others. For those of us who rarely toddle further than the local shops, the idea of walking to Africa is like undergoing a sex–change or entering a nunnery. She did what? How? Most importantly, why would anyone do such a thing? Finally we ditch the last of our excess weight, and the packs are truly light for the first time on the whole walk. Until now we have hoarded a secret fear that in Morocco we would need more to survive, would need all of the camping things we often don't use, but the opposite has been the case. Here, we have put the tent up only twice. Here, people always offer a stranger a place to sleep. Here we need very little to survive, and suddenly we are walking thirty to forty kilometers every day, even despite the heat… . I think we have changed so greatly, slowed down inside so far, that now we understand how to receive without embarrassment, and how to give the last of what we have, every day, without worrying whether it will come back to us or not.The reason for making the trek turns out to be the effect of millions of steps on Constant's mind and body. Along the way, she changes as much as the landscape, as much as her steps themselves. Traveler's Tool Kit:
Before heading south of the border, buy, read, and memorize this book. Gillian Kendall, adventurer for hire, is author of Mr. Ding’s Chicken Feet, which the New York Times named one of the notable travel books of 2006. She is currently planning her 4th trans–Pacific trip in 11 months, and desperately seeking upgrades. See more at her website gilliankendall.com |
Also in this issue:
Sun–bathing with Ghosts in Cassadaga by Rory MacLean Death's Prediction and Disaster, By Way of Dharmsala by Dave Lowe Western Canada Through the Eyes of a Child by Tim Leffel Boomerang Hieroglyphics on the Nile by Bruce Northam Dial–a–Bird by David Lee Drotar | |
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